Why should I shoot with this camera?
The RED Epic is an S35mm+ (1.3 crop still equivalent) sensor camera that can shoot up to 120fps at 5k resolution (300fps at 2k). You are basically shooting 120 14mp RAW stills per second. The Epic sensor natively has over 13 stops of dynamic range. HDRx mode allows you to dial in up to 6 more stops of highlight protection giving you a maximum dynamic range of over 18 stops. With REDCODE RAW you can chose how much compression you need. REDCODE 4kHD 12:1 allows you to shoot continuously for 3 1/2 hours while REDCODE 3:1 is virtually uncompressed lossless RAW but will use up an SSD in 30 minutes.
- FRAMERATES: 120FPS @5k, 225FPS @2k
- SENSOR: 14 MEGAPIXEL MYSTERIUM-X™
- PIXEL ARRAY: 5120 (h) x 2700 (v)
- S/N RATIO: 66db
- DYNAMIC RANGE: 13.5 stops, up to 18 stops with HDRx™
- MAX IMAGE AREA: 5120px (h) x 2700px (v)
- LENS COVERAGE: 27.7mm (h) x 14.6mm (v) x 31.4 mm (d)
- DEPTH OF FIELD: Equivalent to S35mm (Motion) / APS-H (Still) lenses Equivalent to 16mm (Motion) lens in 2K RAW
- WEIGHT: 5lbs with lens mount and side SSD module
Why should I shoot with this camera?
The RED Scarlet is the exact same camera as the RED Epic just without the expensive hardware to pump through 120fps at 5k. If 4k at 24fps is enough for your project the Scarlet is the perfect camera.
- FRAMERATES: 12fps @5k, 24/25fps @4k, 30fps @4kHD
- SENSOR: 14 MEGAPIXEL MYSTERIUM-X™
- DYNAMIC RANGE: 13.5 stops, up to 18 stops with HDRx™
- DEPTH OF FIELD: Equivalent to S35mm format
Why should I shoot with this setup?
The Element Technica Atom (for Epic) and Neutron (for Scarlet) 3D rigs are by far the lightest and most compact 3D solutions available. The Atom rig has the electronics for genlocking and muxing built into the structure of the rig itself which allows for an almost wireless rig.
We offer a turnkey 3D solution, consulting with you in pre production, providing the 3D rig with rig tech and stereographer, onset RAW data verification and instant playback on a 3D monitor and finally walking you through every step of post production.
ATOM RIG
- WEIGHT: As low as 36lbs for a shooting rig
- ELECTRONICS: Genlock and muxing are built right into the structure of the rig
Why should I shoot with this camera?
If you need to shoot today the RED One camera is the only ultra high resolution RAW motion image capture device currently available. The RED One MX uses the same sensor that is in the Epic camera but is limited to 4.5k resolution and is not capable of the ultra high framerates or cutting edge features like HDRx.
- FRAMERATES: Up to 30FPS at 4k, 120fps at 2k
- SENSOR: 10 MEGAPIXEL MYSTERIUM-X™
- DYNAMIC RANGE: 13+ stops
- DEPTH OF FIELD: Equivalent to S35mm (Motion) lens