Offhollywood has put up some of the first moving footage from the new Mysterium-X sensor. They have RED Ones #6 and #7 and just had them upgraded. This footage was shot at ISO 1600 on 16mm, 25mm & 35mm Master Primes and an 85mm Ultra Prime. Grab the 1k version here.
RED News Archives
- Working Scarlet/Epic “Tattoos”
- Mysterium-X Low Light
- Nov. 30th Announcement
- RED Studios Hollywood
- Fixed Scarlet Kit – $4,750
- RED Ray Pro – Early ‘10
- Oct. 30th Announcement
- EPIC-X at IBC ‘09 Pics
- Mysterium-X Quotes
- Video of Epic Camera
- RED Optical Viewfinder
- RED DSMC and Esquire
- REDCINE-X Released
- 4.5k and REDCODE 42
- RED One Mysterium X Pic
- Scarlet and Canon 5D Mark II
- “District 9″ Shot On RED
- Video of Scarlet
- RED Prime Lens Footage
- RED Announces RED ROCKET
- 5k Image From Mysterium X
- 1st Footage From 3k Scarlet
- 1st Image From 2/3″ Scarlet
- 1st Pics of Scarlet in Action
- New Scarlet Renders
- “The Book Of Eli” Shot on RED
- First images from Mysterium X
- REDCODE support for FCP
- RED Ranch
- RED SDK
- Roberto Schaefer
Other News
- Ikonoskop A-cam dII
02.04.2010 Ikonoskop A-Cam3D Announced Ikonosko has jus [...] - Canon 7D Specs Released
Many people have been waiting for the final motion spec [...] - Filmic RED One Footage
Álex Montoya has posted some beautiful filmic frame gra [...] - RED Pro Primes on 35mm Film
Norm Li just posted a music video he shot with the RED [...]
News Comments
- Daniel Baumgartner
1st Pics of Scarlet in Action
I absolutely fully concur with every single word of RICK IDAK. I've never read an entire blog or statement [...] - Justin O’Neill
New Scarlet Renders
Hi Steven, at this point the latest version of Sony's Vegas and Adobe's Premiere Pro support drag n drop editing [...] - Steven Williamson
New Scarlet Renders
I like the scarlet. Does it work with all programs? For editing I will like to do movie's [...] - sean orelaja
Mysterium-X Low Light
The many surprises Indi-productions are about to encounter. The last two years have witnessed an exponential growth and advancement in digital [...] - Justin O’Neill
Fixed Scarlet Kit – $4,750
Part of the fixed lens is actually inside the Scarlet brain so it is more compact then if you attached [...] - Jason
Fixed Scarlet Kit – $4,750
That's great news... I was starting to get worried! Thanks a lot for tracking that down for me. A [...] - Justin O’Neill
Fixed Scarlet Kit – $4,750
Ok it looks like that $20k number originated here: www.ocbj.com/article They definitely don't know what they are talking about [...] - Justin O’Neill
Fixed Scarlet Kit – $4,750
Hi Jason, yeah I have seen that number showing up on Twitter lately. I need to find the original [...] - Jason
Fixed Scarlet Kit – $4,750
As a novice seeking to enter the field of film with the latest technology at the lowest price possible, with [...] - Noah Kadner
Mysterium-X Low Light
Methinks Michael Mann will be watching and loving this footage tonight... [...]
Methinks Michael Mann will be watching and loving this footage tonight…
The many surprises Indi-productions are about to encounter.
The last two years have witnessed an exponential growth and advancement in digital acquisition, and I am truly grateful to be a part of these exciting times. It was not long ago (around 1995) that Sony released the VX1000 which brought digital video to the masses. Then Panasonic upped the ante by bringing 24p to the DVX100. And it is from these humble beginnings that the indi-productions find their roots in state of the art technology that challenged the status quo. Fast forwarding to 2010, we find ourselves on the cusp of another revolution from yet another manufacture: RED Digital Cinema. For the last couple of years Red has aggressively pushed the market forward in digital cinema with their Red One. And while this camera is very affordable in comparison to other cameras of its’ caliber on the market, it is still relatively expensive for mass market indi-productions. This is all about to change with the release of the Scarlet.
Read full comment here…