Lars von Trier’s “Antichrist” was shot on the RED One camera and Phantom HD.
- Director: Lars von Trier
- Writer: Lars von Trier
- Starring: Willem Dafoe
View the HD trailer at Apple: www.apple.com/trailers/independent/antichrist/
Shot On RED
- “Antichrist” Shot on RED
- “The Social Network” on RED
- ‘Van Diemen’s Land’ on RED
- “The Informant!” Shot on RED
- David Fincher Nike Commercial
- “Over the Front” by Peter Jackson
- “Beyond a Reasonable Doubt”
- “Gamer” Shot on RED
- “Southland” shot on RED
- “Fair Game” Shot on RED
- “The Book Of Eli” Shot on RED
- “ER” Shot on RED Camera
- “Leverage” Shot on RED
- “Sanctuary” Shot on RED
- “Wallander” Shot on RED
- Martin Scorsese Shoots RED
- The Lovely Bones
- Roberto Schaefer
- “Knowing” Shot on RED
Shot On Comments
- Johan Glas
“Antichrist” Shot on RED
Thank you, Alex, for your reaction, And for the information, which brings me to the question: Does this Phantom-camera have difficulties [...] - Alex
“Antichrist” Shot on RED
The opening and ending were shot with the Phantom - the rest with RED [...] - Johan Glas
“Antichrist” Shot on RED
Allthough astonishing material for a digital camera, I was wondering if the Red One has some difficulties with black&white. During [...] - bart buiter
“Wallander” Shot on RED
The photography is the most exiting I ever saw. Every shot is an awardwinning one. I'm verry impressed. The depth [...] - Dawn
“Leverage” Shot on RED
Ya, I noticed all the Apple products used as props in Leverage, plenty of laptops and not a few 24" [...] - Miguel
“The Book Of Eli” Shot on RED
Can't wait to see the photography in this movie! I loved what they did with Man on Fire several years [...] - Barry
“Wallander” Shot on RED
BTW, great set of novels by the way. Kurt Wallander is a swedish author and the fact that the [...]
Allthough astonishing material for a digital camera, I was wondering if the Red One has some difficulties with black&white. During the epilogue of Antichrist I saw some minor pink on the left and minor green on the right of the picture. At that moment I did not know that it was shot with the Red One and I was wondering what I was seeing. Anyone recognizes this artifact?
The opening and ending were shot with the Phantom – the rest with RED
Thank you, Alex, for your reaction,
And for the information, which brings me to the question: Does this Phantom-camera have difficulties with black and white? Because that was my main quistion.